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The album’s overemphasis on romance was mitigated by Swift’s insightfulness, which only grew more acute with time.Īll this is still present, and there’s more: six unreleased songs that date from the Fearless album sessions plus a re-recording of Today Was A Fairytale, a song she contributed to the soundtrack to the 2010 film Valentine’s Day. Her songs were rooted in country, but the foundations of her pop auteurism were plain. It was a different world: when the album was released, Swift, just 18, had recently broken up with a Jonas Brother. By the time the album’s cycle had concluded, she had the bestselling album in the US and a slew of awards, including the Grammy for album of the year– she was the award’s youngest-ever recipient until Billie Eilish. Hence Fearless (Taylor’s Version) – less an album and more a breathtaking chess move, the aural equivalent of pulling the rug out from under her antagonists.įirst released in 2008 – 13 years ago, a favourite number of Swift’s – Fearless was Swift’s second studio outing and first massive hit. Swift’s radical solution is to make her first six albums worth significantly less by re-recording them, so that future uses favour her, not Shamrock or Braun. Swift particularly objects to the fruits of her youthful labours going to a man she has accused of “ incessant, manipulative bullying”, on whose watch West made a video creepily sexually objectifying her (other celebrities were also depicted). If you were trying to sell this as an art forgery, someone would eventually twig
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As part of the deal, Braun would continue to profit from the use of Swift’s early work on streaming platforms, radio, TV and adverts. Why? In November 2020, after months of hostilities exchanged via social media and the legal profession, Braun sold Swift’s catalogue on to a private equity firm, Shamrock Holdings. That album has now been totally re-recorded by Swift and was released on Friday.

The video in question was You Belong With Me – a hit from Swift’s hugely successful 2008 album Fearless.

The antagonism between Swift and West began when he interrupted her acceptance speech for best female video at the VMAs in 2009. No precis does the nuances justice, but the crux of Swift’s unhappiness is that the rights to her first six albums were sold out from under her nose when her former label, Big Machine, was acquired by a man she regards as an enemy: Scooter Braun.īraun is Justin Bieber’s manager more pertinently, he also managed the rapper Kanye West at a time when West was tormenting Swift – another vexed tale wrapped around this one in a double helix. It has been a conflict fought in public, in detail.
